after us, the flood

Jan 25

Set in Los Angeles in 1962, at the height of the Cuban missile crisis, A Single Man is the story of George Falconer, a 52 year old British college professor (Colin Firth) who is struggling to find meaning to his life after the death of his long time partner, Jim (Matthew Goode). George dwells on the past and cannot see his future as we follow him through a single day, where a series of events and encounters ultimately leads him to decide if there is a meaning to life after Jim. George is consoled by his closest friend Charley (Julianne Moore), a 48 year old beauty who is wrestling with her own questions about the future. A young student of George, Kenny (Nicholas Hoult), who is coming to terms with his true nature, stalks George as he feels in him a kindred spirit.
A Single Man is a romantic tale of love interrupted, the isolation that is an inherent part of the human condition, and ultimately the importance of the seemingly smaller moments in life.

Set in Los Angeles in 1962, at the height of the Cuban missile crisis, A Single Man is the story of George Falconer, a 52 year old British college professor (Colin Firth) who is struggling to find meaning to his life after the death of his long time partner, Jim (Matthew Goode). George dwells on the past and cannot see his future as we follow him through a single day, where a series of events and encounters ultimately leads him to decide if there is a meaning to life after Jim. George is consoled by his closest friend Charley (Julianne Moore), a 48 year old beauty who is wrestling with her own questions about the future. A young student of George, Kenny (Nicholas Hoult), who is coming to terms with his true nature, stalks George as he feels in him a kindred spirit.

A Single Man is a romantic tale of love interrupted, the isolation that is an inherent part of the human condition, and ultimately the importance of the seemingly smaller moments in life.

“We have no way of knowing that this will not be the issue. We have no way of knowing that the funeral itself will be anodyne, a kind of narcotic regression in which we are wrapped in the care of others and the gravity and meaning of the occasion. Nor can we know ahead of the fact (and here lies the heart of the difference between grief as we imagine it and grief as it is) the unending absence that follows, the void, the very opposite of meaning, the relentless succession of moments during which we will confront the experience of meaninglessness itself.” — The Year of Magical Thinking, Joan Didion

Aug 31

(via maisondesfleurs-deactivated2011)

Dec 20

God, but life is loneliness, despite all the opiates, despite the shrill tinsel gaiety of “parties” with no purpose, despite the false grinning faces we all wear. And when at last you find someone to whom you feel you can pour out your soul, you stop in shock at the words you utter - they are so rusty, so ugly, so meaningless and feeble from being kept in the small cramped dark inside you so long. Yes, there is joy, fulfillment and companionship - but the loneliness of the soul in its appalling self-consciousness is horrible and overpowering.

— Sylvia Plath

[video]

Dec 13

Virginia Woolf’s letter/suicide note to her husband Leonard Woolf.

Virginia Woolf’s letter/suicide note to her husband Leonard Woolf.

Nov 10

And   you must seek out and search for deeper strata of truth that are possible,   for example, in great poetry. When reading a great poem by Robert Frost, you   sense there’s a deep, deep truth inherent in it, and you can never name it.   It’s the same thing as what I call the “Ecstatic Truth.” An   Ecstatic Truth is possible in documentaries and of course in my feature films   - I’ve always striven for that. It is something deeply inherent, where you   recognize yourself as a human being again, where you find images that have   been dormant inside of you for so many years and all of a sudden it becomes   visible and understandable for you — you read the world differently, your   perceptions change. 
 — The Ecstatic Truth, Werner Herzog

And you must seek out and search for deeper strata of truth that are possible, for example, in great poetry. When reading a great poem by Robert Frost, you sense there’s a deep, deep truth inherent in it, and you can never name it. It’s the same thing as what I call the “Ecstatic Truth.” An Ecstatic Truth is possible in documentaries and of course in my feature films - I’ve always striven for that. It is something deeply inherent, where you recognize yourself as a human being again, where you find images that have been dormant inside of you for so many years and all of a sudden it becomes visible and understandable for you — you read the world differently, your perceptions change.

— The Ecstatic Truth, Werner Herzog

Oct 20

Oct 19

I have never found anybody who could stand to accept the daily  demonstrative love I feel in me, and give back as good as I give.
—        Sylvia Plath

I have never found anybody who could stand to accept the daily demonstrative love I feel in me, and give back as good as I give.

Sylvia Plath

Oct 06

A personal muse.

A personal muse.